Designing Beauty, Sustaining the Earth
Statement on the current sustainability debateBudapester Salon, Berlin, GermanyIn a world where aesthetics and functionality are increasingly merging, sustainability is no longer just an additional feature, but an essential part of any design. This exhibition is dedicated to the idea that true beauty is not only created through formal elegance or innovative technology, but also through a deep-rooted responsibility towards the earth.
‘Designing Beauty, Sustaining the Earth’ presents three series by architect and designer Hadi Teherani, which were developed with the companies Fischbacher 1819, Mirage and Wagner Living. At the heart of these designs is a holistic approach in which sustainable, intelligent use of materials, resource-saving, innovative production processes and timeless aesthetics go hand in hand. These are products that not only impress with their longevity, but also with their ability to enrich a room and inspire the people who spend time in it.
This exhibition shows that sustainability is far more than just a trend - it is the basis for a design that meets the challenges of the future.
A product that is convincing in both its origin and its form has the power to remain in its environment, to grow and change over time without losing its beauty. It is this kind of design that leads the dialogue between aesthetics and responsibility in a new way - for a world in which the good is not only beautiful, but also sustainable.
Budapest Salon Berlin from 13.02. - 28.02.2025
»Sustainability is a fundamental value. I take a holistic approach and integrate architecture, interior design and product design as a single unit.«Hadi Teherani
Together with Wagner, Hadi Teherani has redefined ergonomic seating and pushed the boundaries of design with 3D printing technology. Under the slogan ‘Iconic design meets ground-breaking production technology’, a completely new and unique product series was created. The results are active stools and matching tables from the 3D printer, which are produced in different heights and can be customised to the millimetre. Made from Greentec Bio-Filament, a biodegradable material made from 100% renewable raw materials. The stools encourage movement, activate and strengthen the back muscles. The W3D collection has a parametric structure and takes the form of an artistic, statically relevant fold that stretches inwards and outwards like a textile. The stools can be manufactured decentrally and from anywhere in the world - all that is needed is the special product data for the 3D printer. This pioneering production process makes it possible to offer products exclusively on the basis of an art licence model and to produce them in a CO2-neutral way. This eliminates the need to ship products around the world. Wagner is thus actively contributing to a more sustainable future.
»Sustainable development means meeting the needs of the present generation without jeopardising the ability of future generations to meet their own needs. «Peter Wagner
Fischbacher 1819 and Hadi Teherani have jointly developed the Contemporary Persia textile collection, which was presented for the first time at Salone 2022 in Milan. The fabrics reflect the cultural diversity of Iran through elegant, sophisticated designs. From fine to coarse weaves, natural materials such as linen and wool are combined with flame-retardant polyester fabrics. The colour palette ranges from earthy tones to vibrant accent colours inspired by Iran's contrasting landscapes. The collection is a return to the Persian roots of Camilla Fischbacher and Hadi Teherani, who both grew up in Europe but have deep connections to Iran. Their collaboration reflects a fusion of ancient Persian culture and the dynamic modern art scene.
Fischbacher 1819 has had textiles made from recycled raw materials in its portfolio for many years. The company was one of the first textile manufacturers to launch the BENU® Recycled collection of decorative and upholstery fabrics back in 2009. Since then, the company has been consistently driving forward material innovations and actively seeking sustainable solutions to effectively reuse raw materials and reduce CO2 emissions. At Fischbacher 1819, sustainability and social responsibility are fundamental values and not just trends. All fabrics, such as the BENU®️ Recycled line, stand for commitment to environmentally friendly design and have received numerous awards for pioneering work in the field of textile recycling.
»We need to recognise that used plastics are not waste, but valuable resources that can be reused or recycled.«Camilla Douraghy Fischbacher
»Nagomi contains a significant amount of glass that comes from recycled CRTs.«Atelier Mirage
Nagomi is a collection created by industrial pressing, but strongly characterised by human craftsmanship. Each tile (mosaic) is unique, with different light reflections and tonal nuances. Small surface variations are an essential part of its character and not a defect. The collection is suitable for wall panelling. The series is completed with colour-matching grout for installation and matching wall paints of the highest quality for an overall uniform concept. The five elements of NAGOMI: Sabi, Riku, Miyu, Ami and Kazuki correspond to the origin of the primary natural elements of oriental philosophy: water - wood - fire - metal - earth. Each shape, with its unique texture and play of colours, conveys harmonious symmetry and a sense of well-being. This collection goes beyond the traditional mosaic and becomes a medium to tell stories of spaces that are in harmony with their inhabitants and the environment. It combines the precision of architecture with the poetic fluidity of nature.
Mirage's commitment to sustainability is reflected in the use of 20% recycled glass from cathode ray tubes (CRT), which is integrated into the Nagomi tiles. This creates a narrative of environmental awareness that connects the past, present and future. ‘Inspiring better living’ is Mirage's motto, with the aim of becoming a source of inspiration for the community and the conviction that individual and joint action with partners can make the difference in renewing the combination of aesthetics, utility and ethics.
